Social Psychology

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Social Psychology

This article over hate crimes was trying to convince the reader that there are needs to study and figure out a way to alleviate hate crimes and treat the victims. Although it seems to be a problem, there is little that can be done because people fail to report the acts against them because of the fear of future harassment from the offender and the fear of the escalation of the amount of harassment. The article gives various ways in which government officials are reacting to the rise and hate crimes and the new policies they are enacting to help victims.

There is various evidence to support that hate crimes are becoming a problem and will continue to become a problem unless something is done to stop it. Government officials are passing new laws to create stricter punishments for those who choose to inflict hate on another person because of their race, beliefs, sexual preference, etc.

I agree with this articles stand on hate crimes. Hate crimes should be looked at more closely, but at the same time there are other crimes out there that need closer attention also. Crimes that are reported aren't looked into thourouly and then nothing is done for the victim. I think the government it putting too much on its plate. They do need to spend time on this issue, but they need to think a lot longer about better ways to fix it in certain areas.

People first start to realize their gender identity when they are nine months of age, research shows. We are witnesses to gender stereotypes everyday. Such as little boys should play with trucks and little girls should play with dolls. Evan as we get older, occupations are held for certain sexes. A male nurse may seem weird to some people and a woman construction worker looks totally out of place. Women are expected to cook, clean, and raise the children, while men are the breadwinners of the family. Roles are changing quickly though as more and more women are being introduced to the work field.

Modern racism is a form of prejudice that surfaces in subtle ways when it is safe, socially acceptable, and easy to rationalize. I believe modern racism was best described in the courtroom scenario. A person with modern racism is trying so hard to be fair to a person different from them, they actually are discriminating against them. They do this by giving them a lighter sentence for a crime they would have given a much harsher one to someone "like them" in their struggle to be fair. It is a little more difficult to uncover this. People don't even realize they are doing it. I think just educating people to let them know what they are actually doing would help a great deal.

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Subject:Latest research regarding inventory valuation, purchase commitments and executory contracts.

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One important element of the financial statements is the volume of goods, whether it is goods finished or raw materials, i.e. the inventory. It helps to determine the cost of goods sold and allows matching of that with the revenues that it generates to give us a reliable realized income value. For a company such as Lotza Inventory Inc, it is likely that they hold large volumes of inventory that was purchased at different prices. To specifically identify the cost of individual items sold in order to obtain the precise cost of inventory would not only be expensive, but almost impossible. Typically, in these situations one of several cost flow assumptions is made, e.g. last-in-first-out (LIFO), first-in-first-out (FIFO) or weighted average. It is not necessary to select an assumption that is consistent with the physical movement of goods, however, it is necessary to choose the assumption which most clearly reflects the periodic income of the company. Several points must be carefully considered when deciding on which assumption to adopt, one of which is the effect on net income. Net income is the lowest with the LIFO assumption, followed by weighted average then FIFO. This has great implications on the tax benefits or burdens the company will experience, e.g. substantial tax burden will be the result of a switch from LIFO to FIFO. Another point to consider is the matching concept; using LIFO, a better measure of current earnings is provided as the more recent costs are matched against current revenues. The method chosen must be disclosed on the balance sheet of the financial statements besides inventory.

Other ways of putting value to inventory includes'Lower of Cost or Market', this valuation technique conflicts with the historical cost principle as it replaces it with a market value found by taking the replacement cost of inventory. This principle is only used when the future utility of the inventory is no longer as great as its original cost, i.e. when a loss is expected. Although this breaks the historical cost principle it is a conservative approach to inventory valuation and it can be justified by the fact that, using this method, the loss from inventory that occurred is charged against revenue in the period the loss occurred rather than in the period sold when this method is used.

Net realizable value is another valuation method that is calculated by subtracting the cost to sell inventory from the selling price of the inventory This figure gives the amount that will be collected from the inventory in the future and is a very conservative measure of the cost of your inventory. In certain circumstances this method of valuation is used even if this amount exceeds the historical cost of the goods.

For large retailers with a large amount and variety of inventories, it would be impractical to use the specific valuation method to value inventory, in which case the Retail Inventory Method will be most suitable as it will give a fairly reliable estimate of the ending inventory value with no physical count of the inventory required. It does this by using calculating a ratio between cost and retail price then this ratio is applied to the ending retail inventory to compute the cost of the ending inventory. However, this method of valuation causes an averaging effect amongst varying rates of gross profits for inventory and no allowance is made for possible distortion of these results.

One common agreement that does not have an obvious accounting treatment is when purchase commitments are made for example, an agreement to buy inventory months in advance of delivery or payment. The problem is deciding whether to record this purchase commitment as a liability or as an asset, if at all. The lastest accounting treatment for this type of transaction is to make no recognition of this at the date of inception as the contract is'executory' i.e. both parties has yet to make any considerations to the contract, this is significantly different to the treatment of other inventory. Neither party should be required to make entries regarding this commitment in their financial statements until the title of the merchandise is passed on to the buyer. However, under the Generally Accepted Accounting Principles it is required to disclose of this in the notes of the financial statements, in order to avoid the statement becoming misleading. This is not to say that losses that occur on the purchase commitment should not be recognised in the financial statements. If the price, that both parties agreed on, is expected to exceed the market price then the loss should be reported in the income statement under'Other expenses and losses' and also reported as an'estimated liability on purchase commitments' in the current liabilities section of the balance sheet because the contract has not yet been performed and is at present a liability. Similar treatment is used for the accounting of other contracts that are executory in nature, for example, leases which are merely contracts agreeing to have the right to property in return for future rental payments. This should not be included in the financial statements as assets and liabilities but should be disclosed in the notes. The reason for these large variety of valuation techniques permitted is so that any business is able to use at least one of them to value their inventory with convenience and as there are so many different types of organisations with differing inventory characteristics, there has to be a number of methods to suit each organisation valuation needs. Although there is some flexibility when choosing which method to use when valuating inventory, generally a uniform method of inventory pricing is adopted by all companies within a given industry to allow comparisons between different companies in the same industry to be made.

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The Necklace by Guy De Maupassaunt

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The Necklace", written by Guy de Maupassant and published in 1884 is a story of an underprivileged woman named Mathilde who dreams of being rich, even if only for an evening. She borrows an ornate necklace for a special party, which she subsequently loses. She and her husband decide to take out loans and do whatever it takes for them to find the money to replace the lost necklace instead of just being honest with her friend about what happened. Her conscience effort to try to be something she is not, combined with her decision not to directly confront her friend with an explanation of her carelessness, results in her and her husband spending the next ten years of their lives trying to pay off the necklace they bought as a replacement. Various themes prevail throughout this story, including anger at the inability to determine one's own fate, pride, and deceit and despair. Mathilde is an example how women's roles were imposed upon them by the men of society and how women of the 1th century were governed by this fate. She views the necklace as a symbol of the rich and famous lifestyle she longs for. As a result, Mathilde becomes a victim of her environment while trying to reject the role that has been imposed upon her. She sees the necklace as her way of becoming the woman she longs to be, even if for just one night.

Even though she longed for a more gracious life, she was destined for misery of a poor pheasant. Having been "born into a family of clerks," Mathilde fit the description of everything it meant to be discriminated against by the ruling men of society. Without the help of a man, women could not establish a lavish lifestyle such as the one Mathilde longed for. "She had no dowry, no expectations, no means of being known, understood, loved, or wedded by any rich and distinguished man…" In other words, she had nothing to offer having been raised poor. Her fate was sealed when she "let herself be married to a little clerk at the Ministry of Public Instructions." Women of her time were expected to keep up the household and take care of the children. It was taboo for a woman to work outside of the home. De Maupassant reiterates how women of the time are viewed in his passage "…since with women there is neither caste nor rank and beauty, grace, and charm act instead of family and birth." He goes on to say, "She suffered ceaselessly, feeling herself born for all the delicacies and all the luxuries." Thus, Mathilde found herself to be in a hopeless situation, that in which she could not control her own fate. No matter how much she felt she deserved a distinguished rank among people, she was destined to be subservient to the role into which she was born a poor woman.

Because she was thrown into this uninvited role, Mathilde became obsessed with trying to elevate her status in the community. As a result, pride came to dominate her personality. She wouldn't dare show up at this spectacular event in her theatre dress. Her pride shows through in her statement "There is nothing more humiliating than to look poor among women who are rich." She needed the dress to define who she was however, even when presented with the opportunity to have it she still was dissatisfied because she had no jewels. She wanted this borrowed necklace to fulfill this fantasy role and to enact this superficial lifestyle. The necklace had aroused the vanity she had tried to hide. De Maupassant writes "she fastened it around her throat, outside her high necked dress, and remained lost in ecstasy at the sight of herself." It was as if she had finally become the woman she felt she was meant to be. Unfortunately, Mathilde did not realize that her precious necklace soon would become a millstone around her neck

Sometimes what seems like a life preserver turns out to be a millstone that drags you under. This is just what happened to Mathilde. Her joy was shortened when she found that she had lost the precious jewels that were loaned to her. What follows is a tale of deceit and despair. In a desperate attempt to avoid embarrassment, Mathilde's husband states, "You must write to your friend that you have broken the clasp of her necklace and that you are having it mended. That will give us time to turn around." They went from jeweler to jeweler searching for a replacement. When they finally came upon one that matched, they realized it was far more money than they could afford. Their pride would not allow them to go to Mme. Forestier and simply admit that they had lost the necklace. Instead, Loisel felt compelled to borrow funds he did not know if he could pay back and replace the coveted necklace, so, thus continued the deception. "He compromised all the rest of his life, risked his signature without even knowing if he could meet it; and, frightened by the pains of yet to come, by the black misery which was about to fall upon him, by the prospect of all the physical privation and of all the moral tortures which he was about to suffer, he went to get the new necklace, putting down upon the merchant's counter thirty-six thousand francs." Mathilde and Loisel now had a "dreadful debt" that had to be repaid. Mathilde was forced to perform heavy housework and Loisel worked long into the night in an effort to repay the debt. Mathilde fell into anguish as she now looked old and "had become the woman of impoverished households strong and hard and rough."

But at times, Mathilde's despondency would turn to thoughts of a night long ago when she danced and wiled away the evening in a gown fit for royalty and a necklace that would forever change her life. A stand of glistening "diamonds" that had the ability to render not only joy but also despair.

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A Doll House- Henrik Ibsen

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A Doll House is a play written in 187 by Henrik Ibsen. The play is a journey of the character Nora's self-discovery and struggle against the oppression of her husband Torvald and the society that he represents. Ibsen uses non-verbal elements such as screen directions and setting descriptions to symbolise aspects of characters and their relationships to each other.

The opening scene of A Doll House is preceded by a description of a room in the house in which the two main characters, Nora and Torvald Helmer, live. "A comfortable room, tastefully but not expensively furnished ." This description represents the Helmers' place in society. They are middle class, not extremely wealthy, but with enough money to survive comfortably on. Middle class society in Norway in this time was quite patriarchal. There were strict social edicts about a woman being a good wife and mother. Women who tried to find independence, or were forced to work like Nora's best friend Mrs Linde, were often seen as lesser beings. This first setting description sets the scene for the entire play and supports the controversial main theme of the play, Nora's rebellion against this rigid society in her final decision to leave her husband when she realises she needs to make something of herself and find independence.

Non-verbal elements are used to develop Torvald Helmer as a character. The way that Torvald treats and sees Nora is the main device in which the audience is positioned to see Torvald, as a patronising and controlling man and husband. In Act it is revealed that the mailbox is for Torvald alone to access as only he holds the key. NORA "We're lost, the letter's in the mailbox." MRS LINDE "And your husband has the key?" NORA "Yes, always " Torvald's study is also a private room that Nora is prevented from entering. This shows that he does not perceive Nora as intellectual enough to be involved with any business or for that matter, any important matters in life.

Again Ibsen uses non-verbal elements in the play largely to construct the character of Nora. The Christmas tree, which is described in the opening scene, is a parallel with Nora's life and emotions during the play. The same as "The children mustn't get a glimpse of it (the tree) till this evening, after it's trimmed. " Nora is not allowed to be seen out of the house unless she is looking beautiful and acting like a proper wife and mother. This opening message begins to convey to the audience the values of the society the play is set in. Another non-verbal element used to express Nora's helplessness in her situation is expressed in the first act when it is revealed that Nora does not even own a key to her own home. "A bell rings in the entryway, shortly after we hear the door being unlocked, Nora comes into the room…"

In the first act, Nora buys herself a bag of macaroons that she has been prohibited to eat by Torvald. "…Torvald had forbidden them…He's worried they'll ruin my teeth ." This is a foreshadowing of Nora's final rebellion against Torvald. This also serves to form a connection with the two characters Mrs Linde and Dr Rank who are aware that Nora is lying to Torvald when she says, "Yes but these are some that Kristine (Mrs Linde) gave me"

The Tarantella dress that Nora wears in Act is perhaps one of the most powerful symbols of Nora and her relationship with Torvald. "Torvald wants me to be a Neapolitan peasant girl and dance the Tarantella that I learned in Capri. " This again shows Torvald's assumed control over her on the grounds that she is his wife and therefore is his possession. By choosing her dress and asking her to dance the Tarantella he controls her sexuality. He wishes to show Nora off, as if she is a doll, to all the guests at the party they attend with the knowledge that afterwards, she will be his. "All this evening I've longed for nothing but you…my blood was pounding till I couldn't stand it, that's why I brought you down so early. " Ironically, only Nora knows, with the knowledge that she is going to commit suicide after the dance, that this dance and this night is her final chance to be a doll for Torvald. The way that she dances conveys this to the reader who knows the truth, but not to Torvald, who is completely unaware of Nora's secret plan. However, he does notice that her dancing is somewhat over exuberant, "…the performance may have been a bit to naturalistic- I mean it rather overstepped the proprieties of art. " Furthermore, it is Nora's Tarantella costume that makes her a possession of Torvald, and makes her his doll wife. In Act , when Nora decides that she must leave Torvald and "stand completely alone… and discover herself and the world out there… " she changes out of her Tarantella costume and puts on her regular clothes to leave the house where she has been'imprisoned' by Torvald for such a long time

Finally, it is not only the clothes that Nora wears to dance, but also the dance itself that carries symbolic meaning. The Tarantella is a popular native dance of Southern Italy. The name Tarantella derives from the name of a poisonous spider; the Tarantula. In fact when a person is bitten by the Tarantula they begin jumping to relieve the pain and this jumping is the first step of the Tarantella dance . This dance can be compared to Nora trying to rid herself of the pain and problems of her life. It has also been said that when the dance is stopped, the victim will die. This relates to the suicidal intentions of Nora as she plans to kill herself after this dance.

The porcelain stove has very symbolic meaning throughout the play. It is portrayed as the heart of the domestic space. It is often referred to as a provider of warmth and comfort. "lets get cozy here by the stove." Additionally, the stove symbolises Nora's place as a wife and the way society expects her to act in this role. Whenever Nora moves towards the stove in the play she moves back to her place as a wife. For example; NORA (going towards the stove) "Yes whatever you say Torvald, " and when Helmer and Krogstad are discussing "bank business" NORA (nods indifferently and begins stirring up the stove."

Non-verbal elements are used in a lesser way to develop a relationship between Nora and Torvald's childhood friend, Dr Rank. The depth and complexity of this relationship is revealed to the audience through non-verbal elements such as the lamp. This serves to heighten the meaning of certain events, especially the conversation between Dr Rank and Nora when he reveals to her that he is in love with her. The main part of the conversation takes part in very low light, conveying to the audience that it is a private and perhaps secretive exchange. When Dr Rank is on the verge of professing his love to Nora, "You know that you can trust me more than anyone else." And "Do you think (Torvald's) the only one who'd gladly give up his life for you." Nora orders the light to be brought in to bring the reality, that she is married to Rank's best friend and that Rank is dying of syphilis, back to the situation. She asks Rank, "Aren't you a little bit ashamed, now that the lamp is here." The light is again used as a symbol of information being revealed when Torvald finds out the truth about Nora's forgery and Krogstad's blackmail against him.

At the end of the final scene, when Nora leaves the house assumedly for good, the screen directions help to provide closure for the play and for the audience. Although this is still a very open ended play, and many watchers would be left wondering how Nora survives and whether she manages to change her life for the better away from the controlling influence of Torvald. "From below the sound of a door slamming " shows that she has walked out of her past life for good.

In conclusion, Ibsen uses non verbal elements such as screen directions and screed descriptions to add a heightened dimension of meaning to the characters in A Doll House and their relationships throughout the play and as powerful symbols that help Ibsen to convey ideas and themes in the play.

Four Major Plays Henrik Ibsen

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A seperate peace

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Gene Forresters difficult journey towards maturity and the adult

world is a main focus of the novel, A Separate Peace, by John Knowles.

Genes journey begins the moment he pushes Phineas from the tree and

the process continues until he visits the tree fifteen years later.

Throughout this time, Gene must become self-aware, face reality and

the future, confront his problems, as well as forgive and accept the

person that he is. With the jouncing of the limb, Gene realizes his

problems and the true person he is inside. Fifteen years later, when

revisiting the tree, he finally accepts and forgives himself. This

journey is a long and painful one. At the end of this long and winding

road filled with ditches, difficulties and problems, Gene emerges a

mature adult.

Gene jounces the limb and causes Finnys fall and at that moment

becomes aware of his inner-self and learns of his true feelings. This

revelation comes to him back in his room before he and Finny leave for

the tree. It surrounds him with the shock of his true self until he

finally reacts by jouncing the limb. Up in the tree, before the two

friends are about to make their double-jump, Gene sees Finny in this

new light. He realizes that Finny feels no jealousy or hatred towards

him and that Finny is indeed perfect in every way. Gene becomes aware

that only he is the jealous one. He learns of his animosity and that

he really is a savage underneath. Over a long period of time Gene

had been denying his feelings of hatred towards Finny, saying that it

was normal for him to feel this way. Now all of the feelings come back

to him and he sees how terrible he really is. The realization that

these feelings are one-sided causes Gene to to fall dramatically in

comparison to Finny (he paints himself black for these feelings and

because Finny doesnt share them, he puts a halo around Finnys head),

concludes with the neccessity for Finny to be brought down to his

level, and results with Gene jouncing the limb.

After the realization of the person he truly is, in his room and

up in the tree, Gene must now confront his problems, face reality,

and deal with the future. He must learn that communication is very

important in a relationship and that he must express himself instead

of keeping his feelings inside, as he had always done with Finny. He

must learn to listen to himself rather than to others. These were just

a few of the many problems there were in his relationship with Finny.

He must face reality and acknowledge the fact that he isnt as great

as Finny, that he is his own individual person and that Finny isnt as

perfect as he thought. Gene must accept the guilt for Finnys

difficulties after his injury and must help Finny as a punishment and

act of repentence for his deed. Gene does this by giving a part of

himself to Finny as we see with the case of sports throughout the

rest of the novel - how Gene becomes Finny when it comes to sports.

Although the above are all of great importance, the greatest hurdle

Gene must overcome is learning to live with what hes done. This

painful step is the one which will allow him to completely mature.

The final stage of Genes maturation is his self-acceptence and

self-forgivness. He has to accept that he isnt perfect and that he,

like any other normal being (even Finny), has faults. Accepting that

his innocence has been lost helps Gene move on into another part of

his life and realize that he can never return to the days of his

innocent youth again. He can now become a man, enter the war and adult

world and leave his youth behind. Forgiving himself is the step which

allows Gene to lead a normal life and enter society. He must finally

forgive himself completely for his blind act and allow himself to

come in out of the rain. By accepting as well as forgiving the

person that he is, Gene enables himself to move on and join the adult

world.

Genes maturation is long, painful. It is a painful and difficult

process that reveals a darker side of Gene that he doesnt

neccessarily wish to see. However painful, Gene is made a better

person during his maturation through his suffering. Through

his pain and awful revalations about himself, Gene matures from an

insecure child to a self-knowledgable adult.

Please note that this sample paper on A seperate peace is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on A seperate peace, we are here to assist you. Your cheap custom college paper on A seperate peace will be written from scratch, so you do not have to worry about its originality.

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A World Not So Far Away

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There are a lot of differences between the American and Indian culture and values. Things such as philosophy, family values, individuality, and religion are just some modern examples of the many differences between these two major countries. However, you don't have to come from India to experience how different and influential these cultures are.

For most of my childhood, I was exposed to nothing but the Indian culture. Before my parents first immigrated to the United States from India, we lived in a town called Vyera. Vyera was my home, the place where I met all my friends, and the place where I thought I would never leave. I spoke only Hindi, the official language of India, both to my friends and to my parents. I was pretty much secluded from the outside world because I never left the area, for I felt this was my home. However, my parents felt differently. They wanted me to become accustomed to the †American culture. By being more †Americanized , they felt that life would be better and that my sister and I would be more accepted. For that reason, my family and I moved to America twelve years ago. A big move my parents hoped would be a quick adjustment into the mainstream â€" the †American culture - an adjustment that would ultimately change my values and my perceptions of my cultural background.

When I moved from India to the green grassed city of Prescott, Arkansas, I was surprised at how different it was compared to Vyera. There was much less traffic and noise on the streets than I was used to. I remember pushing my way to get through busy streets when I was in Vyera. Another difference that I noticed was that all the children were Caucasian or Hispanic, while in India I associated with mostly Indians.

When I arrived at my new home, I was quickly plunged into the †process of being Americanized. My parents enrolled me into Prescott Elementary, a school consisting mostly of Caucasians. Although I was a quick learner in India, it was hard for me because I had to learn English. I did whatever I could to blend in. I bought cafeteria food and ate American lunches like bologna sandwiches and peanut butter and jelly. I tried hard to fit in so that I would be accepted. I did whatever my friends did. I begged my parents to buy me trendy clothes with designer labels. The haircut I had was also very similar to that of my friends. I spoke like them and adopted their ways. I wanted to no longer be Indian. I hated that part of me. I just wanted to be †American. I hoped that by doing everything they did and following their ways, I would be accepted despite the fact that I wasn't white.

It was not until eighth grade that I began to realize my changed behavior. A new Indian student was enrolled into my class. He reminded me of myself when I first came. Nilam was conservative, traditional, and very scholarly. Not knowing any better, I felt a bit embarrassed around him. I thought that his appearance would remind everyone of the person I was before. Because of this, I ignored and avoided him as often as I could.

One day, I was eating lunch with my friends and I glanced over towards him. I noticed he was eating one of my favorite Indian dishes, Tandoori Murg. I summoned enough courage to go visit him. I walked up to him slowly, and asked him for a small piece of the chicken. Nilam happily offered me some. We spent the rest of the lunch hour talking. I found out that we had a lot in common. We both loved model airplanes, reading books, and girls with skirts. We also found that our parents were similar in both their values and beliefs. Before long, we became best friends.

Through him, I now realize that I found the strength to rouse my long forgotten past. I was afraid to discuss my past with any of my white friends for fear of being treated differently. My new friend Nilam understood that. He pointed out that I was like my white friends before I met him, and that we became friends after realizing we had likenesses other than race and culture that brought us together.

Race and culture is not important when making friends, it is our personal character that is important. To this day, my parents are impressed with the wide range of friends I have and how well I've †adapted to the American culture. The reason for this is because I am comfortable with who I am. During my childhood, I focused so hard on changing my ways and being accepted that I lost myself in the process. By trying to adopt my friends' values, I gave up my own. I didn't have to pretend to be someone I was not, just be who I am. I no longer hated the fact that I was Indian. I accepted who I was. More importantly, I was happy with myself.

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An Analysis of The Cask of Amontillado by Edgar Allan Poe

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Edgar Allen Poe's "The Cask of Amontillado" is a horror story about a carefully thought out and planned act of revenge, and murder. Poe lets the reader know right away and throughout the story that the outcome will be Montresor getting revenge on Fortunato.

The story begins with Montresor vowing revenge on Fortunato for an insult, which is not clearly told. Montresor had planned and carefully designed this revenge, and murder. Planning a murder that could not be traced took a lot of forethought and preparation. One could only imagine the time it took to methodically and with cold calculation plan his revenge. In his plan, Montresor had to be sure that Fortunato would not become aware of his fate. Montresor knew Fortunato had a weakness, and he was going to exploit it to his advantage in order to undertake his plan. Fortunato was a connoisseur of fine wines. He took great pride in his knowledge, taste and smell of wines.

Montresor tempts Fortunato to come visit his vaults to taste his newly purchased Amontillado. Once there, Montresor gets Fortunato drunk and then buries him alive by walling him into a recess in the wall.

Evidence that Montresor's revenge was carefully thoughtout and planned is shown throughout the story. The time of day Montresor chooses to undertake his plan is one aspect of this. At "about dusk" during "the supreme madness of the carnival" is a perfect time for Montresor to disappear with Fortunato unnoticed. The fact that Fortunato is wearing a clown costume only helps ensure that he won't be recognized when in the presence of Montresor.

Just about everything Montresor says is ironic leading one to believe he is saying things in a taunting, sick way. He keeps inquiring about Fortunato's health and says he will not die of a cold. What it seems he is really saying is that Fortunato will not die of a cold but will die a horrible death by his hands. Montresor tells Fortunato that he is a member of the masons. Fortunato thinks he means he is of a fellow member of the society of

Masons. What Montresor really means is that he is a mason as in a bricklayer about to brick him in and bury him alive.

More evidence supporting the idea that Montresor had put a lot of thought and planning into the murder is when he pulls the trowel out from

the folds in his cloak. Then Montresor " uncovered a quantity of building stone and mortar" from underneath a pile of bones, and just happened to have his trowel inside his cloak seems a little suspicious. The staples and chains that were already attached to the wall, deep in the recess, before the two men arrived seems a little suspicious as well.

The ending of the story is very suspenseful and scary. Montresor chains Fortunato to the wall and begins to layer the bricks. Montresor is committed to finishing what he set out and planned to do despite the desperate pleas from Fortunato. When the last brick is set in place, we know Fortunato's fate has been sealed.

Works Cited

Kirszner and Mandell; Literature Reading, Reacting, Writing Compact

Fourth Edition; 000; Heinle and Heinle.

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