If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on Matka King Review. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Matka King Review paper right on time.
Our staff of freelance writers includes over 120 experts proficient in Matka King Review, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Matka King Review paper at affordable prices
Performed at the Arts Club Theatre, Anosh Irani's The Matka King takes us to a land of harsh reality. Playing from Oct. 17th till Nov. 15th for only about $0.00, six actors and actresses bring the play to life. Set in the red light district of Bombay, in the world of brothels, prostitution, gambling, sin, and redemption, we find ourselves transfixed.
The Matka King is an extraordinary tale of a Eunuch's fate and fortune in his search to be a real man, a poor man's search for an escape from his bondage, a poor man's search to make his life whole again, and a prostitute's struggle to gain her freedom in a world offering little autonomy or freedom. The Matka King is a dark and morbid circus laced with humour We are introduced to a metaphor comparing the world to a vast circus.
I found myself reminded of The Moulin Rouge wherein a mad little midget is running around singing and screaming, " I only speak the truth. I only speak the truth." The madness surrounding him is represented symbolically by a flurry of dancers. I found myself disgusted yet drawn to the story that unravels. It is reminiscent of being at the circus and not quite knowing where to stand in order to not be trampled by the lions and tigers. I began to wonder what ferocious truth this circus would reveal.
It starts with the lights dimmed and the sole presence of Top Rani, a Eunuch, speaking "frankly" to the audience. Enticing them to interact and join in the laughter, he jokes and teases while dancing provocatively and making crude and erotic suggestions to the poor souls in the front row. Once he has gained our trust and acceptance he goes on to show what he is and what he is not. Top Rani shows us his way of life and his dealings, he teaches us of his blessed matka pot and his game of winning or losing numbers. I wondered why an emasculated man, a man without his manhood, would be the one at the centre of the play. If I am to identify with Top Rani and understand more clearly the circus enveloping me, in what way is my essential character disfigured or distorted?
The characters were believable and the actors portrayed themselves as these characters with the sole exception of Aarti, the little girl. Seasoned actors brought the play to life and held it up but the casting of an eight-year-old with only a little experience on the stage was a risk they had to take.
Craig Veroni plays the Eunuch, Top Rani. He steals us away to a place where sin is everywhere and magic is in the air. An incredible actor, he comes to the stage as a theatre performer and showers us in his character's delights. Humorous and mysterious, he makes us love and hate him alike.
Anouska Anderson Kirby plays Aarti, an eight-year-old girl who is innocent to the world and its evil ways. She finds herself without parents or a home in the hands of a Eunuch who wishes to sell her body for his profit. For an eight-year-old, she shows amazing stage presence and theatrical understanding but as a believable actress she has a ways to go. Unconvincing and flat, her lines are delivered to us as if straight from the paper.
Allan Zinyk, playing Satta, is a seasoned actor originally from Winnipeg who plays the father of Aarti. He brings us into his own hell, created out of bad decisions, gambling addictions and heartache. Allan makes us laugh and cry with him as we watch him lose everything in his downward spiral to death and the spiritual world beyond.
Laara Sadiq, playing Chandni, is a prostitute in the brothel owned by Top Rani. She is an award winning-actress whose talent is evident and admirable. She captures our attention while on stage and wins us over as a caring friend and an understanding yet weathered young woman. Her compassion towards others and strength as a woman are believable and we find ourselves hoping for her freedom to be granted and her circumstances to change for the better.
Marvin Ishmael plays a convincingly insane old man, Gantaal. He provides much of the humour in the play. He makes us laugh with his parrot, squirm with his snake and hold our breath as he challenges the world's dilemmas with Aarti and takes on the Matka King himself. Marvin is a seasoned actor, playwright and award winner and he draws us into his character bringing light to our dark experience and allowing us to laugh and relate.
Lois Anderson is an award-winning puppeteer and mother to our young Aarti. She brings the magic of the play to life before us, as matkas seem to float, sheets fly and the evil moon rises in the sky with the gods above. She floats across the stage and we watch in awe.
The setting takes place in the red light district of Bombay, where poor people live and where gambling and prostitution are the way of life for the residents. The old man is set on a street corner and behind him lays a backdrop of the city with its lights and smog. Cars pollute the air and give the homeless guy a reason to have a smoke without feeling bad for polluting. The Eunuch is set in the brothel with only a swinging seat and a cupboard in which he stores his most prized possessions including the part of him taken at only ten years old by the Eunuchs he grew up with. Behind Top Rani, however, tower masses of people who change colour, whose eyes glow, and who seem to watch over him. These people are the most disturbing part of the set. They watch everything while shadowed by the illusion of Bombay in the streets with the homeless man; people mimicking the Gods Top Rani and the other characters pray to, stand motionless like sentries on duty.
A major element that added tremendously to the spectacle of the play is the use of a puppeteer. This is interesting because it adds a sense of magic to the play and creates the sense of mysticism they are trying to portray. As sheets and cards float and dance about the stage and the moon rises in mid air, I can sense the magic and almost believe in the mythical Gods they speak of.
A special symbolic object in the play, which followed Top Rani around, was the Matka pot. Having been blessed by a dying Eunuch when Top Rani was only a boy, he believes that through it a king will set him free. The matka is not only symbolic of Top Rani's freedom though, it also symbolises the need in people to find what they are looking for in life. We all search for something in life whether it is money, love, or happiness. The matka holds the answers to what Top Rani believes he is looking for in life. He believes it holds the answers to his freedom. Through it he will be whole again, just as through each of our individual objects, we search for our purpose and answers to life's challenges.
Anosh has gone one step further in his writing by choosing names for his characters that reflect who they are and how they act. Chandni means moonlit and Chandani, a much commoner name, means goddess. Chandni is both. She does her work mostly by the cover of night and is much like the moon, beautiful and bright. She is a temptress, a goddess and an illusion in the night. Aarti is literally a form of worship a freedom of choice, a purity of mind and spirit, innocence in the world. Top means above and Rani is a queen or princess. Top Rani is the queen in his world. He reigns on high and is the ruler of his world. He is the Matka King! With this careful choice of names Anosh has created a deeper meaning behind the characters in the play. We can read into these names the feelings he had toward his characters and how he thought to portray them.
The music was nothing spectacular, typical Indian music, but it still adds to the overall spectacle of the play. Music rises and falls with the moods and actions in the play. The sounds of a city can faintly be heard in the background birds chirping, dogs barking and cars driving by. This abundance of noise is overshadowed however when the deafening sound of silence is cleverly used to emphasize the solitude felt by the character. When Aarti and her father are in the street, the cars in town become louder and louder until they are a roar and then the headlights take out Satta. In that instant all goes deathly silent, as does Satta.
The clothing in The Matka King was nothing spectacular and yet despite the simplicity of the costumes, their colours add tremendously to the play. Though the prostitute admires the king's outfit, it is a simple sari and sandals, the beggar wears old rags, the little girl wears summer dresses and her father wears torn and tattered clothes. The clothes are all typically fashioned, but the colours are a deep contrast to the mood. Top Rani and his prostitute are clad in bright colours a deep royal blue, a seductive red, and a rich gold. These are the colours of the noble, the proud and the well off. They are also attractive and catch the eye, which allows Chandni to attract the eye of men and do her job. Meanwhile, Satta, Aarti and Gantaal are all in pale greys, filthy whites and dirty beiges. They are the poor, the beggars and the lower class; they have no money for fine clothes. They also wear bland clothes to blend in to their surroundings. They do not want to stand out.
Anosh Irani grew up in Bombay near Kamhathipura, the red light district. He was forced to walk through it on his way to his grandmother's. His vision is to show others that his childhood life was like and the way of life for many of the people in that area. Through him we are able to experience the fate of many innocent young girls and women and the secretive lives of the Eunuchs in Bombay. His play also reaches out though and speaks of the life of prostitution and the underworld.
Set in a red light district this play speaks not only of the prostitutes in Bombay but also is representative of the way of life for people all over the world and the way in which we view people. The women in The Matka King are viewed as possessions and objects, not as human at all. Anosh forces us to confront the way society views people. The rich view the poor as expendable and the men view the women as property. Top Rani is a classic symbol of the upper class and shows the distance placed between it and the middle or lower class. Not only Top Rani's world but also the world at large is owned and we are all pawns in the game of life. Anosh uses his play to speak of how distorted our view on what is right and wrong is and how society as a whole is filled with toxic relationships that can only result in unhappiness. In an interview he spoke of how he would like to see his play performed without a set, a stage, or costumes, using just the actors and the street. To me he insinuates it is not the story of one Eunuch and the events that befall him but rather one of the worlds as a whole and what is lacking in it. There is a serious rift in society when we view it as okay to sell another human being and deny men a natural birthright to procreate; this is what Anosh speaks of. Lots of people today are made to feel they have been cheaply sold as property when they lose their jobs, have contracts torn up, are lied to, cheated, or debased. Lots of people today are denied the freedoms and liberties they consider their natural birthright. This is, in an enlarged sense, what Anosh speaks of.
Overall The Matka King was enjoyable and although I left with a quizzical look on my face, after much contemplation and analysis I felt it was well worth my time. It was an intense play and under its humorous surface were a lot of dark topics that are easier to deal with when brought to light with humour. Through the humour we are able to acknowledge and accept what he talks about with an open mind. An awesome and inventive playwright, Anosh has created a masterpiece. I hope to see it again so I may better understand the truth behind it and enjoy the magic again as it is brought to life once more. The Matka King could be understood as an extended metaphor comparing the world at large to a circus. I, like most people, live in a circus much like Top Rani's, a circus filled with clowns, masters of ceremonies, magicians, musicians, and people performing tricks. My watching The Matka King enlarges my understanding of the ferocious truths of Rani's world and of mine.
Please note that this sample paper on Matka King Review is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Matka King Review, we are here to assist you. Your cheap custom college paper on Matka King Review will be written from scratch, so you do not have to worry about its originality.
Order your authentic assignment and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!
