Any Body's son will do

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Similar to the title of the documentary, the theme of the documentary illustrates the same idea that anybody's son will do. The documentary depicts the basic training and the process the recruits go through in order to be transformed into a marine. Gywnne Dyer uses different techniques & methods to explain and demonstrate this idea. These techniques include cinema verite, narration and interviews.

The technique "cinema verite" is used through out the whole documentary. The technique helps demonstrate the reality of the vigorous training process. During the first couple of days they are documented and inoculated, receive uniforms, learn the basic orders of drill and be removed of their individual civilian identities. Recruits get evaluated on a daily basis and helps set up recruits into submission to military authority. During basic training, the recruits perform dangerous activities. The goals of these activities are to build up their confidence as individuals and as a group by allowing them to overcome frightening obstacles.

The narration was a key in the explanation of the theme. The explanation of activities and events that occurs in the camp helped with the understanding of the theme. During the first couple of recruits are removed of their individual civilian identities and perform dangerous activities. New recruits are all treated the same and by the end of the transformation process all recruits will be alike. This emphasizes the theme that any person can become a marine if they survive the basic training.

Interviews were used plenty and illustrate different experiences in the camp. During the documentary, drill and recruits instructors were interviewed on their experience during boot camp. Viewers learn that basic training involves a brief but intense period of training whose purpose is not really to teach the recruits basic military skills, but rather to change their values and their loyalties. One drill instructor states how he once strangled his mother because of the training he obtained. This shows that the transformation of a civilian to a mindless killer is nearly complete.

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Porter's five forces

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The assignment of Human Resource Management is a team work. It is an interview between a large food manufacturer and an interviewee who applied to the position of a supervisor in the Finance department of this food company. There are five members in our team, Ann, Eric, Jim, Summer and I, Susan. The assignment was allocated via the discussion. As I will be an interviewee in this scenario, my task is to prepare for the questions and answers of the interview. Jim is responsible for the Job Specification, Eric is in charge of the Job Description, Summer is responsible for the application form while Ann designs the Advert. Since this assignment is very practical, we sought helps from newspapers, used the application forms of some real companies as reference and other related approaches.

Since I do not know much about the process that other members in our team prepared their materials in detail, I would like to say something about of the questions and answers I designed. I designed all these questions and answers from two approaches the Job Specification and Description designed by Jim and Eric and our discussion. They mainly focused on three aspects the reasons of application, the points of view that the interviewee had to the position he/she intended to apply to and the interviewee¡¯s qualification. In my opinion, these three parts can help the recruiters know the qualification and the thoughts of the interviewee. Most of the questions are about the essential and desirable criteria for selection. In this assignment, we tried to design all the materials according to the theories we learned from the HRM courses, combining with the real situations we met in our real life. Consequently, all these documents are not only realistic but also avoid the flaws that the real ones have. In this circumstance, I think that the documents we prepared for are relatively good.

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Matka King Review

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Performed at the Arts Club Theatre, Anosh Irani's The Matka King takes us to a land of harsh reality. Playing from Oct. 17th till Nov. 15th for only about $0.00, six actors and actresses bring the play to life. Set in the red light district of Bombay, in the world of brothels, prostitution, gambling, sin, and redemption, we find ourselves transfixed.

The Matka King is an extraordinary tale of a Eunuch's fate and fortune in his search to be a real man, a poor man's search for an escape from his bondage, a poor man's search to make his life whole again, and a prostitute's struggle to gain her freedom in a world offering little autonomy or freedom. The Matka King is a dark and morbid circus laced with humour We are introduced to a metaphor comparing the world to a vast circus.

I found myself reminded of The Moulin Rouge wherein a mad little midget is running around singing and screaming, " I only speak the truth. I only speak the truth." The madness surrounding him is represented symbolically by a flurry of dancers. I found myself disgusted yet drawn to the story that unravels. It is reminiscent of being at the circus and not quite knowing where to stand in order to not be trampled by the lions and tigers. I began to wonder what ferocious truth this circus would reveal.

It starts with the lights dimmed and the sole presence of Top Rani, a Eunuch, speaking "frankly" to the audience. Enticing them to interact and join in the laughter, he jokes and teases while dancing provocatively and making crude and erotic suggestions to the poor souls in the front row. Once he has gained our trust and acceptance he goes on to show what he is and what he is not. Top Rani shows us his way of life and his dealings, he teaches us of his blessed matka pot and his game of winning or losing numbers. I wondered why an emasculated man, a man without his manhood, would be the one at the centre of the play. If I am to identify with Top Rani and understand more clearly the circus enveloping me, in what way is my essential character disfigured or distorted?

The characters were believable and the actors portrayed themselves as these characters with the sole exception of Aarti, the little girl. Seasoned actors brought the play to life and held it up but the casting of an eight-year-old with only a little experience on the stage was a risk they had to take.

Craig Veroni plays the Eunuch, Top Rani. He steals us away to a place where sin is everywhere and magic is in the air. An incredible actor, he comes to the stage as a theatre performer and showers us in his character's delights. Humorous and mysterious, he makes us love and hate him alike.

Anouska Anderson Kirby plays Aarti, an eight-year-old girl who is innocent to the world and its evil ways. She finds herself without parents or a home in the hands of a Eunuch who wishes to sell her body for his profit. For an eight-year-old, she shows amazing stage presence and theatrical understanding but as a believable actress she has a ways to go. Unconvincing and flat, her lines are delivered to us as if straight from the paper.

Allan Zinyk, playing Satta, is a seasoned actor originally from Winnipeg who plays the father of Aarti. He brings us into his own hell, created out of bad decisions, gambling addictions and heartache. Allan makes us laugh and cry with him as we watch him lose everything in his downward spiral to death and the spiritual world beyond.

Laara Sadiq, playing Chandni, is a prostitute in the brothel owned by Top Rani. She is an award winning-actress whose talent is evident and admirable. She captures our attention while on stage and wins us over as a caring friend and an understanding yet weathered young woman. Her compassion towards others and strength as a woman are believable and we find ourselves hoping for her freedom to be granted and her circumstances to change for the better.

Marvin Ishmael plays a convincingly insane old man, Gantaal. He provides much of the humour in the play. He makes us laugh with his parrot, squirm with his snake and hold our breath as he challenges the world's dilemmas with Aarti and takes on the Matka King himself. Marvin is a seasoned actor, playwright and award winner and he draws us into his character bringing light to our dark experience and allowing us to laugh and relate.

Lois Anderson is an award-winning puppeteer and mother to our young Aarti. She brings the magic of the play to life before us, as matkas seem to float, sheets fly and the evil moon rises in the sky with the gods above. She floats across the stage and we watch in awe.

The setting takes place in the red light district of Bombay, where poor people live and where gambling and prostitution are the way of life for the residents. The old man is set on a street corner and behind him lays a backdrop of the city with its lights and smog. Cars pollute the air and give the homeless guy a reason to have a smoke without feeling bad for polluting. The Eunuch is set in the brothel with only a swinging seat and a cupboard in which he stores his most prized possessions including the part of him taken at only ten years old by the Eunuchs he grew up with. Behind Top Rani, however, tower masses of people who change colour, whose eyes glow, and who seem to watch over him. These people are the most disturbing part of the set. They watch everything while shadowed by the illusion of Bombay in the streets with the homeless man; people mimicking the Gods Top Rani and the other characters pray to, stand motionless like sentries on duty.

A major element that added tremendously to the spectacle of the play is the use of a puppeteer. This is interesting because it adds a sense of magic to the play and creates the sense of mysticism they are trying to portray. As sheets and cards float and dance about the stage and the moon rises in mid air, I can sense the magic and almost believe in the mythical Gods they speak of.

A special symbolic object in the play, which followed Top Rani around, was the Matka pot. Having been blessed by a dying Eunuch when Top Rani was only a boy, he believes that through it a king will set him free. The matka is not only symbolic of Top Rani's freedom though, it also symbolises the need in people to find what they are looking for in life. We all search for something in life whether it is money, love, or happiness. The matka holds the answers to what Top Rani believes he is looking for in life. He believes it holds the answers to his freedom. Through it he will be whole again, just as through each of our individual objects, we search for our purpose and answers to life's challenges.

Anosh has gone one step further in his writing by choosing names for his characters that reflect who they are and how they act. Chandni means moonlit and Chandani, a much commoner name, means goddess. Chandni is both. She does her work mostly by the cover of night and is much like the moon, beautiful and bright. She is a temptress, a goddess and an illusion in the night. Aarti is literally a form of worship a freedom of choice, a purity of mind and spirit, innocence in the world. Top means above and Rani is a queen or princess. Top Rani is the queen in his world. He reigns on high and is the ruler of his world. He is the Matka King! With this careful choice of names Anosh has created a deeper meaning behind the characters in the play. We can read into these names the feelings he had toward his characters and how he thought to portray them.

The music was nothing spectacular, typical Indian music, but it still adds to the overall spectacle of the play. Music rises and falls with the moods and actions in the play. The sounds of a city can faintly be heard in the background birds chirping, dogs barking and cars driving by. This abundance of noise is overshadowed however when the deafening sound of silence is cleverly used to emphasize the solitude felt by the character. When Aarti and her father are in the street, the cars in town become louder and louder until they are a roar and then the headlights take out Satta. In that instant all goes deathly silent, as does Satta.

The clothing in The Matka King was nothing spectacular and yet despite the simplicity of the costumes, their colours add tremendously to the play. Though the prostitute admires the king's outfit, it is a simple sari and sandals, the beggar wears old rags, the little girl wears summer dresses and her father wears torn and tattered clothes. The clothes are all typically fashioned, but the colours are a deep contrast to the mood. Top Rani and his prostitute are clad in bright colours a deep royal blue, a seductive red, and a rich gold. These are the colours of the noble, the proud and the well off. They are also attractive and catch the eye, which allows Chandni to attract the eye of men and do her job. Meanwhile, Satta, Aarti and Gantaal are all in pale greys, filthy whites and dirty beiges. They are the poor, the beggars and the lower class; they have no money for fine clothes. They also wear bland clothes to blend in to their surroundings. They do not want to stand out.

Anosh Irani grew up in Bombay near Kamhathipura, the red light district. He was forced to walk through it on his way to his grandmother's. His vision is to show others that his childhood life was like and the way of life for many of the people in that area. Through him we are able to experience the fate of many innocent young girls and women and the secretive lives of the Eunuchs in Bombay. His play also reaches out though and speaks of the life of prostitution and the underworld.

Set in a red light district this play speaks not only of the prostitutes in Bombay but also is representative of the way of life for people all over the world and the way in which we view people. The women in The Matka King are viewed as possessions and objects, not as human at all. Anosh forces us to confront the way society views people. The rich view the poor as expendable and the men view the women as property. Top Rani is a classic symbol of the upper class and shows the distance placed between it and the middle or lower class. Not only Top Rani's world but also the world at large is owned and we are all pawns in the game of life. Anosh uses his play to speak of how distorted our view on what is right and wrong is and how society as a whole is filled with toxic relationships that can only result in unhappiness. In an interview he spoke of how he would like to see his play performed without a set, a stage, or costumes, using just the actors and the street. To me he insinuates it is not the story of one Eunuch and the events that befall him but rather one of the worlds as a whole and what is lacking in it. There is a serious rift in society when we view it as okay to sell another human being and deny men a natural birthright to procreate; this is what Anosh speaks of. Lots of people today are made to feel they have been cheaply sold as property when they lose their jobs, have contracts torn up, are lied to, cheated, or debased. Lots of people today are denied the freedoms and liberties they consider their natural birthright. This is, in an enlarged sense, what Anosh speaks of.

Overall The Matka King was enjoyable and although I left with a quizzical look on my face, after much contemplation and analysis I felt it was well worth my time. It was an intense play and under its humorous surface were a lot of dark topics that are easier to deal with when brought to light with humour. Through the humour we are able to acknowledge and accept what he talks about with an open mind. An awesome and inventive playwright, Anosh has created a masterpiece. I hope to see it again so I may better understand the truth behind it and enjoy the magic again as it is brought to life once more. The Matka King could be understood as an extended metaphor comparing the world at large to a circus. I, like most people, live in a circus much like Top Rani's, a circus filled with clowns, masters of ceremonies, magicians, musicians, and people performing tricks. My watching The Matka King enlarges my understanding of the ferocious truths of Rani's world and of mine.

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Essay on 1984

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Oceania is a society where life is dictated by a small group of violent and overbearing men. Privacy is forbidden and surveillance is promoted, as every word, every movement, and every breath are monitored. People live in fear of becoming "vaporized" (0) and having all traces of their life eradicated. Every evidence and remains of their presence would become erased. People also live in a constant state of propaganda. That is, the small group is able to force them to accept any beliefs or events that it claims to be true. This is the world that George Orwell creates in 184. It is obvious that the criterion of this novel is to warn and display the detrimental effects of a totalitarian government that existed in Soviet-Union, the Nazis, and China; however, 184 also makes an subtle attempt to show how Western countries such as England and the United States, countries which are eminent for possessing ideas of democracy and capitalism, retain notions and characteristics of totalitarianism as well.

The society that Orwell has created simply displays the obvious totalitarian government. The Party, which is composed of a small group of domineering men, envisions to breakdown the independence of an individual. All aspects of individualism such as thoughts, expressions, and dreams that are different from what the Party has set for the people are prohibited and considered rebellious. If someone were to disagree with the Party in any aspect, the Party was determined to either kill him or convert him back by coercing physical pain. Things such as diaries were forbidden. The Party believed that diaries are forms of self-expression and rationality. Even dictionaries are to be abridged and shortened every year because the Party believes that if there are no words in a language that are capable of expressing independent and rebellious thoughts, no one will be able to rebel or even conceive the idea of rebelling. Sex, in Oceania, is considered a duty and nothing else. Sex, which is an act of individualism from its emotional and physical pleasure, is prohibited.

As the novel progresses, the timid but rebellious Winston Smith rises to challenge this authority. He dislikes the whole notion of this totalitarian government, which forbids him from doing things that he enjoys and desires. Winston longs to write in his diary freely, have sex whenever he wants to, and think and feel independently. During his attempt to fight the Party and its totalitarian government, he meets Julia, who possesses and supports Winston's attack on the Party, and he immediately falls in love with her. By falling in love, Winston and Julia position themselves in a dangerous position, for love is prohibited in Oceania. These two attempt to replace totalitarianism with democracy, but fail when both are captured by the Thought Police and are taken to jail. And during this time, the Party inflicts Winston with tremendous beating and starvation to have him become one of the Party members again. Although he knows that his determination to maintain his hate for the Party will lead the Party to torture him even more, he realizes that it is his deep desire to continue rebelling against the Party. Winston tells him that "[he] hates Big Brother"() OBrien, one of the Party members, then instructs the guards to take Winston to Room 101 where he will experience his greatest fear, rats. As soon as rats are "about to leap onto [His] face and bore straight into it" (5), Winston screams out "Do it to Julia! Not me! I don't care what you do to her" (6). The physical pain that is to take place is too painful for Winston; as a result, he desires that this punishment will occur even to someone he once loved, Julia. This shows Winston's give up on his principles, will, mind, and spirit.

Surveillance is also a characteristic of a totalitarian government. Orwell argues that Western countries as well can be considered or on the verge of becoming totalitarian countries. In 184, a giant telescreen is placed in every citizen's room and is used to monitor his/her behavior such as rebellious schemes, thoughts, and expressions. Everywhere the citizens go, they are constantly reminded by the poster that says, "Big Brother is Watching You" to display that the Party authorities are always inspecting them. Little boys and girls are brainwashed to become Junior Spies. That is, they are trained and forced to spy on their parents and report on any instances of disloyalty to the Party.

Orwell fears that besides the obvious totalitarian government in Russia and Germany after the World War II, the Western countries, too, have become or is threatened to become totalitarian societies. Although those countries might not possess the harsh and brutal characteristics described earlier in the essay, they retain the idea of surveillance that connects to totalitarianism. Today, many of the things that we do are kept under surveillance. And day-by-day, the privacy that we possess seems to diminish. Cameras are common and even required in banks, stores, houses, and offices. People are curious to see what is happening, to see whether their bank is being robbed, or whether their employees are working appropriately in office. Similar to how the telescreens and microphones are set up to monitor rebellious behaviors in 184, we, too, have cameras and tape recorders to track down criminal or rule-breaking movements. And these features today, Orwell states, contribute to the declination of democracy and rise of a totalitarian society.

In addition to surveillance, spread of propaganda is another feature of totalitarianism. In 184, propaganda is embedded. The Party controls every source of information, managing and rewriting the contents of all newspapers and documents for its own ends. The records of the past such as documents and photographs are not to be kept by the citizens. As a result, the memories of the past have become more bewildered and forgotten. In the novel, Winston reflects that the alleged increase in the chocolate ration to twenty grams was actually a reduction from the day before, but since the party enforced this act, "those around him seem to accept it joyfully" (68). The party claims that it also increased the literary rate and reduced mortality rate; however, Winston "suspected that these claims are untrue, but he had no way to know for sure since history has been written entirely by the party." The Party even enforces to its citizens that "in the end, the Party would announce that two and two made five, and you would have to believe it."

As Orwell indirectly relates today's surveillance as a decline of democracy, the propaganda that has been taking place also demonstrates the Western societies' inclination towards totalitarianism. Today, the media is the primary source for information. And people rely tremendously on the media through television, radio, or newspapers. However, because the government has an immense impact and powered over the media, it is capable of changing, censoring, or misrepresenting certain news. Today's governments, like the Party, have the capabilities to show only what they want to show and render people to believe what they want. The Enron scandal and their ties with the government is a perfect example of propaganda. The government attempted to conceal all evidence and their ties in the Enron scandal by delaying trials, shredding all of the evidence, and denying charges of allegation.

Orwell is extremely pessimistic about the future. It is safe to say that Orwell through Winston, displays his giving up on his will, mind, and emotions in fighting against the established totalitarian governments such as Soviet-Union and what used to be the Nazis. He claims that there are no cures to win back democracy in totalitarian governments. He reluctantly states that many other countries as well are under process of becoming a totalitarian society because they retain notions of propaganda and surveillance. And this trend will continue until all of the countries reach a state of totalitarianism. Perhaps, his pessimistic prediction about the future is right. What do you think?

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Gucci Group N.V.

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Gucci Group N.V. is a luxuria good manufacturer based out of the Netherlands, yet sold throughout the world. I chose this company for my final project because it deals with two things that interest me very much. One, being the fact that they are world know for their excellence in products and services. Two, because Gucci collaborates with many other large companies in their industry as the superior leader in fashion. A company of high standards and products.

Although Gucci is accessible to everyone it is, however, portrayed as products for the wealthy. Gucci specializes in products such as ready-to-wear fashion, handbags, luggage, shoes, timepieces, jewelry and perfume. Gucci products are distributed to directly operated stores in major markets though out the world. They advertise to upper class markets, however, are in demand by middle class markets as well. Gucci products are seen as movie star products, something seen on the red carpet. Gucci is elegant and classy. Everything us American strive for. They reach out to the dreamers. If you want class and style go to Gucci.

Gucci is a cooperation. The officers of this company include Chairman of the Supervisory Board, Chairman of the Management Board, President, CEO, CFO, Executive Vice President, CEO of Bottega Veneta, Vice Chairman of the management Board and Creative Director. Ownership includes Insider and 5% plus Ownership at 1%, Institutional at 7% and Net. Institutional Selling at .5 million shares. There are over 10,558 employees.

Gucci has one on the best competitive advantages in their industry. The reputation. Gucci can sell anything (within reason) with the Gucci name behind it and make money. They have targeted some of the most popular atmospheres and taken it over fashion wise. Gucci doesn't have to spend millions of dollars on advertising anymore because they have already achieved an excellent standing in all major cities across the world. From New York to California, most of Europe and everywhere that glamour is a must.

This brief background on Gucci has interested me more in the company than before. To see a company hold such high standings in a competitive economy is truly incredible. They have targeted a market and ruled it for many years. The growth of this company has skyrocketed. With thousands of employees working for one fashion based company is hard to do. This is why I have chose Gucci as my portfolio business. I enjoy seeing how something not necessarily needed in the economy can benefit so well.

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To kill a mockingbird

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The symbol of the mockingbird, in this book, is of great significance. The title of the book, To Kill a Mockingbird, is of emphasis to the book, as it helps the reader understand and think more clearly of the symbolisms in the book . The idea of a mockingbird as a symbol is first brought when Scout and Jem receive air rifles for Christmas, Atticus tells them

Shoot all the bluejays you want, if you can hit'em, but remember uts a sin to kill a mockingbird.

What Atticus is implying is a mockingbirds only function in life is to make beautiful music, and it does no harm to its surroundings, and so it would be a sin to kill a mockingbird. There are two main characters who can be described as mockingbirds, Boo Radley and Tom Robinson. During the trial of Tom Robinson it becomes visible to the reader that Tom Robinson shares many characteristics with a mockingbird. Tom Robinson is a kind-hearted man, who only sought to help someone he thought was in need of help. When he is murdered, it is like killing a mockingbird, because he was an innocent man found guilty of a crime he didnt commit. Secondly, Boo Radley is revealed to be like a mockingbird. He is a shy, gently man, who wills to harm no one, keep a quiet life at home, but has been persecuted by the towns gossip of him. When Jem and Scout are attacked by Bob Ewell, Boo appears out of the darkness, to save the children. It later occurs to Scout, that bringing Boo out into the public and light, which a trial would do, would be similar to killing a mockingbird. Both Tom Robinson and Boo are symbolized as mockingbirds, as a mockingbird is seen as a symbol of innocence and fragile life.

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HR talk handout

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STEREOTYPING Is a beleif that associates a whole group of people with certain traits.#

A Professors Predicament

After many hazards of the sea and the many identities in a refugee camp, my family and I came by plane to Australia. We stayed for a while at the Westbridge migrant centre on the outskirts of Sydney. Westbridge was certainly an improvement on the camps in Malaysia and we were happy to be in Australia.

But that was not the end of our predicament. It was only the beginning of a new stage of our life...At Westbridge, for example, the food was good but the rice was prepared in a way that was not ours. The Australians were kind to us but most of the things they gave us were not suitable. What was good about the centre was that many government services were concentrated there health, mail, housing, employment, even banking. People from the Department of Immigration came to give us orientation courses. Still there were many culture shocks for everybody.

Like many people, I had a problem seeking employment I was repeatedly told that I was "overqualified"... but you have to be employed to have an income to rent a flat. I eventually went to a Ford motor company at Homebush and gained an interview with the employment officer. My English was not good but I could speak it well enough and did some interpreting for other applicants. The interviewer asked about my educational background and made it easy for me by saying,'Education high school?' I said,'Yes'. So he said,'All right, I will give you a job as a storeman.'#

The Surprise benefits of Diversity

Sydney's multicultural diversity, highlighted by Mrs Annita Keatings last minute appeal to International Olympic Committee (IOC) delegated in three languages, was a key factor in the successful Olympic games bid. Mrs Keating may have had the last word on the subject, but the Sydney community groups already featured in eye-catching displays of support.

Beijing was Sydneys major rival for the Year 000 Olympic Games, but Sydney's own Chinese community showed it's support for it's hometown bid. A Sydney Chinese Support Committee for the Sydney 000 games was established by the Deputy Lord Mayor of Sydney. Councillor Henry Tsang. As part of it's activities, it hosted a major day of entertainment in Chinatown to support the bid. The day drew thousands of Sydneysiders, many of the, Chinese, to watch many Olympics representatives and hopefuls, some with Chinese background.

More than 000 Australian Muslims also greeted the Libyan IOC Director, while a similar number had prayed at a Sydney mosque with the Tunisian and Algerian delegates. "The Arabs were completely overwhelmed by the number of people who came out" Mr Rod McGeoch, the Sydney bid's chief executive, said.

Throughout the Sydney campaign for the 000 Olympic Games, various ethnic communities were used where appropriate to demonstrate to individual voting members the city's racial and religious mix. It was even rumoured that the local Sydney newspapers with their up to date soccer results, had been pushed under IOC president Juan Samaranch's hotel door.#

# David Johnson Reaching out, (page 56).

# Cultural Diversity at work Julie Shaw page 1.

# Sydney's multicultural Strength a Key Factor in Olympic Success(14)Multicultural marketing News.

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