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Both "The Garden Party" by Katherine Mansfield and "Where are you going? Where have you been?" by Joyce Carol Oates deal with the theme of "coming of age." In "Where are you going? Where have you been?" Connie is a reckless teenager who doesn't want to listen to her parents and misbehaves as often as possible, just like a normal teenager, until an encounter with a strange man shocks her into maturity and to what being an adult really means. Laura, in "The Garden Party" is ignorant and aloof as she takes great pleasure in planning a petty, snobby garden party for her mother. She thinks of it as being adult-like and thinks of herself as being "all grown up" for planning it (and again when she is the one to suggest canceling it), when a first experience with Death causes Laura to appreciate Life..
In "Where are you going? Where have you been?" Joyce Carol Oates uses the themes of Sex, Drugs and Rock n' Roll to preach the importance of morals and warn youth of the dangers of mind altering substances and promiscuous sex. Although Connie wants to dress and act like a mature adult her childlike impulses still control her actions. She wants to be independent from her parents, yet she is entirely emotionally attached to them and although she doesn't want to admit it her parents control most aspects of her behavior whether it is directly or indirectly. Directly when her mother makes comments insinuating her sister‘s superiority "Why don't you keep your room clean like your sister…You don't see your sister using that junk." (p.16) and indirectly when Connie is affected by her father's absence "Their father was away at work most of the time… He didn‘t bother talking much to them…" (p.16). Connie's first experiences with Arnold Friend are innocent enough. She first sees him at the drive-in, in his gold car, the meeting is so brief that it barely registers in her memory. When he first shows up at her house Connie is self-conscious, not knowing whether to show an interest in him or blow him off. "[Arnold Friend]'You're cute.' [Connie] She pretended to fidget…" this shows Connie's reluctant interest in Arnold. Connie every so often slips back and forth between her child self and her young adult self. This is especially apparent when she is talking to Arnold Friend. Connie reverts into childlike speech and expressions, in an instance when she gets upset with Friend, "'Shut up! Youre crazy!' Connie said. She backed away from the door. She put her hands up against her ears as if shed heard something terrible, something not meant for her.'People dont talk like that, youre crazy,' she muttered." (p.170) This illustrates a typical childish reaction to an unwanted conversation, the repetition and defensive actions. Connie's transition into maturity comes when Arnold Friend petitions her to come with him "The place where you came from ain't there any more, and where you had in mind to go is cancelled out."(p.17) Connie is in that stage between childhood (the place that isn‘t there anymore) and adulthood, (where she had in mind to go) stuck in formative teenage years, a sort of confusing limbo which she can't escape from. In the end, Connie actually proves her maturity when she sacrifices herself for the sake of her family.
In Katherine Mansfield's "The Garden Party" Laura Sheridan is a naive young woman who is trying to please her mother yet attempting to be independent of her. She wants to have her own opinions and responsibilities. She doesn't hold the same ideals of the rest of her family. She isn't influenced by class divisions "It's all the fault… of these absurd class distinctions." (p.0) However, she has no evidence to support why she feels any connection with the lower classes, besides her limited interaction with the workmen. She is in such a rush to appear as an adult, that her immature manner shows right through. "Of course Laura and Jose were far too grown-up to really care about such things." "All the same, two minutes later Jose and Laura were licking their fingers with that absorbed inward look that only comes from whipped cream." (p.) When the Sheridan's find out about Scott's death Laura anticipates canceling the party, which is fairly irrational since the Sheridan's weren't by any means close to the Scott family. Laura's mother expresses the fact that "It's only by accident we've heard of it. If someone had died there normally- and I can't understand how they keep alive in those poky little holes- we should still be having our party, shouldn't we?" (p.5) which is a statement that is a bit heartless, but is also true. When Laura finally sees the dead workman in his home, she is shocked to see how beautiful death is, which in turn, makes her appreciate how marvelous life is.
Each story illustrates the importance of appreciating life for what it's worth. Connie sacrifices herself to save her family because she now realizes that adults have to make sacrifices, no matter how big or small. Laura comes to accept death as a part of life, and therefore realizing that parties and pastries are not all there is to it. It may not be that Laura and Connie have grown into "adults," but they have come to terms with adult feelings and the responsibilities that adults have..
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