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Blake contrasts good in "The Lamb" with evil in "The Tyger." The title of the first poem instantly implies goodness because of its correlation with Christ, the symbol of all that is righteous and pure in the Christian worldview. Blake encourages this association through his language and imagery. He characterizes the lamb in "clothing of delight" and with "tender voice," and then refers to the lamb's maker (Christ) as having the same name and being meek, mild and innocent as a child. On the other hand, the tyger is portrayed as sinister and dark, having "fearful symmetry." The two poems are very similar. Both ask questions about the creatures' origins; both use sensual images to characterize the animals. Blake does not express a preference for either the Lamb or the Tyger, nor does the speaker. Blake's ambiguity is consistent with his argument in The Marriage of Heaven and Hell that contraries are necessary to human existence. By not making one creature superior over the other, he places equal value on both the good and the bad. Blake also uses "The Lamb" and "The Tyger" to suggest that even the Creator knows that balance is necessary to humanity, and therefore He created opposing forces of good and evil, dark and light, to maintain the world's existence.Blake holds human instinct and man's natural sense as the highest sources of knowledge. He considers religious faith and conventional morality fetters that inhibit man's inherent creativity and potential. Blake believes that man will instinctively do what is best for himself by simply following his own desire. Religious knowledge only hinders instinct, eventually stunting creativity and personal growth. Blake does applaud certain sciences and philosophies, like those of Swedenborg, in his poetry, so he must find outside sources of knowledge somewhat important, but he clearly considers man's instinctive, sensual and natural knowledge most valuable.Blake considers human nature intrinsically good because the carnal and selfish desires every person is born with are not really evil, but only labeled as such by "the Church." In Songs of Innocence, Blake portrays the world through the innocent and pure eyes of children, but in Songs of Experience, we see the world through the eyes of corrupted adults. This corruption is caused by society. The world of children before corruption is happy and carefree, even in the face of strife, but after continued abuse and restraint by institutionalized religion and social convention, the child grows into a dark and twisted individual. Blake also believes that man naturally seeks what is pleasurable to him, and attaining pleasure allows a man to reach his creative and intellectual potential. Restraint of desire is responsible for the evils of the world. This concept is clearly expressed in several of Blake's works, particularly in his Proverbs of Hell "He who desires but acts not, breeds pestilence." and "Expect poison from the standing water.".In Blake's mind, society is cold, cruel and destructive. In Songs of Experience, Blake places blame for poverty and other ills on society. Society has been the cause of the world's degradation and has a responsibility to care for its victims. "Holy Thursday" in Songs of Experience is a criticism of society's mistreatment of its poor and orphaned children. Society owes something to these children. On the other hand, individuals are responsible for their own welfare only. People know what is best or at least what is most felicitous or pleasurable for themselves, and their only obligation is to fulfill their own desires. Society, particularly the clergy, have a responsibility to separate themselves from the public, remove their constraints, and allow members of society to function in their natural, sensual state.
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